Friday, 21 October 2016

William Blake

William Blake was a 19th century writer and artist who is regarded as a seminal figure of the Romantic Age. His writings have influenced countless writers and artists through the ages, and he has been deemed both a major poet and an original thinker.

Born in 1757 in London, England, William Blake began writing at an early age and claimed to have had his first vision, of a tree full of angels, at age 10. He studied engraving and grew to love Gothic art, which he incorporated into his own unique works. A misunderstood poet, artist and visionary throughout much of his life, Blake found admirers late in life and has been vastly influential since his death in 1827.

Source of Information:http://www.biography.com/people/william-blake-9214491#the-move-to-felpham-and-charges-of-sedition

Tuesday, 18 October 2016

Alain de Botton on Romanticism


Description: "The ideology of Romanticism has been fatal to our chances of long-term happiness in modern relationships. Here, School of Life founder Alain de Botton delivers a lecture at the Sydney Opera House charting a wiser course for love. With deepest thanks to the team at the Opera House."

History of Ideas - Romanticism


Description: "Romanticism is a historical movement that still hugely colours how we tend to feel and look at the world: it’s responsible for the way we approach love, nature, business and children. This is its history."

Samuel Palmer

Samuel Palmer is an English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, ITs pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake's irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.

Information Source: http://www.tate.org.uk/art/artists/samuel-palmer-411

Modernism

Modernism refers to the broad movement in Western arts and literature that gathered pace from around 1850, and is characterised by a deliberate rejection of the styles of the past; emphasising instead innovation and experimentation in forms, materials and techniques in order to create artworks that better reflected modern society.

Introduction:

The terms modernism and modern art are generally used to describe the succession of art movements that critics and historians have identified since the realism of Gustav Courbet and culminating in abstract art and its developments in the 1960s.

Although many different styles are encompassed by the term, there are certain underlying principles that define modernist art: A rejection of history and conservative values (such as realistic depiction of subjects); innovation and experimentation with form the shapes, colours and lines that make up the work) with a tendency to abstraction; and an emphasis on materials, techniques and processes. Modernism has also been driven by various social and political agendas. These were often utopian, and modernism was in general associated with ideal visions of human life and society and a belief in progress.

By the 1960s modernism had become a dominant idea of art, and a particularly narrow theory of modernist painting had been formulated by the highly influential American critic Clement Greenberg. A reaction then took place which was quickly identified as Postmodernism.

Information Source: http://www.tate.org.uk/learn/online-resources/glossary/m/modernism

Romanticism

Term in use by the early nineteenth century to describe the movement in art and literature distinguished by a new interest in human psychology, expression of personal feeling and interest in the natural world.

Introduction To Romanticism:

This complex shift in attitudes away from the dominant classical tradition was at its height from about 1780 to 1830, but continued to be an influence long after that. The overall characteristic was a new emotionalism in contrast to the prevailing idea of classical restraint.

In British art, Romanticism was embraced in new responses to nature in the art of John Constable and J.M.W. Turner. Visionary artist William Blake examined man's place in the cosmos and his relationship to God as well as exploring new ways of looking at human history. Other significant painters of history subjects were Henry Fuseli, James Barry and John Hamilton Mortimer.

Later Phases of the Romantic movement in Britain embraced Pre-Raphaelities and Symbolism.

Information Source: http://www.tate.org.uk/learn/online-resources/glossary/r/romanticism

Lecture Reading 2: The Romantic Imagination

http://moodle.arts.ac.uk/pluginfile.php/567858/mod_page/content/13/TheRomanticImagination_intropart.pdf

Lecture Reading 1: Romanticism

http://moodle.arts.ac.uk/pluginfile.php/567858/mod_page/content/13/ROMpres.pdf

Samuel Palmer and Romanticism - Presentation

http://moodle.arts.ac.uk/pluginfile.php/567858/mod_page/content/13/Samuel%20Palmer%20-%20Darryl.pdf